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interview: nick liefhebber


︎Artist, Graphic Design, Sculpture, Illustration, Interview   
︎ Ventral Is Golden


Nick Liefhebber is a multi-disciplinary artist who’s worlds splinter and consume the liminal dimensions of inner and outer reality. Existing, as he tends to do, as a commercial graphic designer and an independant illustrator, his layered visual language becomes the texture to these two known realms.

Having experienced that the assigned ‘world of the woman’ was too restrictive, Saint Phalle’s later work became associated with the Nouveau Realists. She produced an eclectic array of works ranging from drawing, collage, graphic design, film, Tirs (’shooting’ paintings) and sculpture. In addition, her Tirs were considered one of the earliest exmaples of Performance Art.
Alongside her Shooting Paintings, “Happenings, Fluxus, and performance (of the 1960’s) sought a discursive, interactive relationship between artist and spectator; new conceptual frameworks emerged, informed by gender awareness. Women artists began to intervene directly in male-defined social and political spheres, articulating frustration at the injustices of domination.








Having experienced that the assigned ‘world of the woman’ was too restrictive, Saint Phalle’s later work became associated with the Nouveau Realists. She produced an eclectic array of works ranging from drawing, collage, graphic design, film, Tirs (’shooting’ paintings) and sculpture. In addition, her Tirs were considered one of the earliest exmaples of Performance Art.
Alongside her Shooting Paintings, “Happenings, Fluxus, and performance (of the 1960’s) sought a discursive, interactive relationship between artist and spectator; new conceptual frameworks emerged, informed by gender awareness. Women artists began to intervene directly in male-defined social and political spheres, articulating frustration at the injustices of domination.




Having experienced that the assigned ‘world of the woman’ was too restrictive, Saint Phalle’s later work became associated with the Nouveau Realists. She produced an eclectic array of works ranging from drawing, collage, graphic design, film, Tirs (’shooting’ paintings) and sculpture. In addition, her Tirs were considered one of the earliest exmaples of Performance Art.
Alongside her Shooting Paintings, “Happenings, Fluxus, and performance (of the 1960’s) sought a discursive, interactive relationship between artist and spectator; new conceptual frameworks emerged, informed by gender awareness. Women artists began to intervene directly in male-defined social and political spheres, articulating frustration at the injustices of domination.

































Mark